Visualizing the Birth of Modern Tokyo (Spring 2021) (M-I-T)

• Prof. Dower and Dr. Ulak: Welcome (M-I-T)
• Cycle of Destruction & Reconstruction (M-I-T)
• Why Tokyo, Why 100 Views? (M-I-T)
• Prof. Nagahara: Name Order (M-I-T)
• Map of Edo, 1680s (M-I-T)
• Map of Tokyo, 1879 (M-I-T)
• Nihonbashi, A Bridge through Time (M-I-T)
• What is Visualizing Cultures? (M-I-T)
• Dr. Sebring: Navigating Visualizing Cultures (M-I-T)
• About Visual Narrative (M-I-T)
• Museum & Collections (M-I-T)
• Introduction to the Smithsonian Exhibition (M-I-T)
• Moga or Modern Girl (M-I-T)
• Five-Module Structure of the Course (M-I-T)
• Preview Module II—Gaslit Tokyo: Kiyochika (M-I-T)
• Module III—Tokyo Between the Earthquake & the Bombs: Koizumi (M-I-T)
• Preview Module IV—Tokyo Modern: 100 Views by 8 Artists (M-I-T)
• Welcome to the Smithsonian Institution (M-I-T)
• Meiji Restoration & Birth of Tokyo (M-I-T)
• Meiji ”Westernization“ Prints (M-I-T)
• Portrait Of Ōkubo Toshimichi (ca. 1878) (M-I-T)
• Hiroshige‘s ”100 Famous Views of Edo,“ 1856–1858 (M-I-T)
• Japonisme (M-I-T)
• Portrait Of Ōkubo Toshimichi Revisited (M-I-T)
• Competing for Customers (M-I-T)